Featuring a high headroom design for matchless audio performance, the deceptively sized Mixpad 9 is small but professional in every respect. Like other Mixpads, it offers superior low-noise and low distortion specs, along with an exceptionally low group delay over the full bandwidth for a transparent, open sound. U L T R A - C O M P A C T. The ultra-compact MIXPAD 9 Mixer is a 9 input. Stereo mic/line mixer in a very small package. Equipped with 2-band equalization and pan/balance and level con-trols on each channel, the MIXPAD 9 is an ideal device for ENG, field recording, broadcasting and contracting applications.
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• 9-channel stereo ultra-compact mixer.
• 3 balanced monophonic mic/line channels and 3
additional stereo channels.
• Independent CD/tape input; signal is routed via
channel EQ.
• Trim controls on mic input channels.
• 48 volt phantom power for mic input connectors.
• 2-band equalization on all channels.
• Constant level stereo panpot on each monophonic
channel.
• Left/right balance control on each stereo channel.
• 2 Aux sends (one pre-fade and one post-fade) on
each channel.
• 2 stereo Aux returns with front panel level controls.
• Front-panel stereo headphone output.
• Master peak and power LEDs.
• 2 balanced main outs.
• Optional battery power for convenience in ENG,
field broadcast and recording applications.
MIXP AD 9ULTRA-COMPACTMIXER
The ultra-compact MIXPAD 9 Mixer is a 9 input
stereo mic/line mixer in a very small package. Equipped
with 2-band equalization and pan/balance and level con-
trols on each channel, the MIXPAD 9 is an ideal device
for ENG, field recording, broadcasting and contracting
applications. It also features optional battery power, a
front-panel stereo headphone jack, 3 electronically bal-
anced mic/line inputs (XLR and 1/4″connectors), 3
stereo line inputs (1/4″connectors), a CD/tape input
(phono connectors), 48 volt phantom power, 2 Aux
sends and 2 stereo Aux returns (which have indepen-
dent level controls and so can be used as 4 mono Aux
returns), as well as a main level control and power and
peak LEDs.
Contact:
Samson Technologies Corp., P.O. Box 9031, Syosset, NY 11791-9031 • Phone: (516) 364-2244 • Fax: (516) 364-3888 • www.samsontech.com
SAMSON
HIGH+15-15
+15-15
+10
+10
LR
LEVEL
AUX1 PRE
PAN
HIGH+15-15
+15-15
+10
+10
LR
AUX 2
LINE 1
-10
+4
LOW
O
O
O
O
LEVEL
AUX1 PRE
HIGH+15-15
+15-15
+10
+10
LR
AUX 2
4L
6L
AUX
Samson Mixpad 9 Channel Download User Manual For 7a D23 Electric Suction Pump Pump
SEND 2RIGHT
BALANCED
AUX
1/2
RETURN
AUX RET. 3/4
+10
LEFT RIGHT
LOW
O
O
O
O
PAN
AUX 2
LINE 1
-10
+4
MAIN LEVEL
O
TRIM -50
0
MIC 1
+10
9LOW
O
O
O
O
LEVEL
AUX1 PRE
9R
BALANCE
MONOMONO MONO
+10
+10
+10
+10
+10
+10
+10
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5
Guided Tour -
MIXPAD 12 / MIXPAD 9 Channels
1: Mic inputs - Provided in monophonic channels only (channels 1 - 6
in the MIXPAD 12 and channels 1 - 3 in the MIXPAD 9). Use these
electronically balanced XLR jacks to connect microphones to any of the
MIXPAD’s monophonic channels. These are intended to accept signal
from low-level, low-impedance mics but can also be used for signal from
other sources (such as direct injection boxes) if the channel’s Trim
control is turned down (see #2 below). All MIXPAD 12 and MIXPAD 9
XLR mic connectors are 36 volt phantom powered, enabling you to
connect a wide variety of condenser or dynamic microphones.
WARNING: Do not connect a channel’s microphone input if you
already have something connected to its line input; each channel is
designed to accept only one source or the other.
in the MIXPAD 12 and channels 1 - 3 in the MIXPAD 9). Use these
electronically balanced XLR jacks to connect microphones to any of the
MIXPAD’s monophonic channels. These are intended to accept signal
from low-level, low-impedance mics but can also be used for signal from
other sources (such as direct injection boxes) if the channel’s Trim
control is turned down (see #2 below). All MIXPAD 12 and MIXPAD 9
XLR mic connectors are 36 volt phantom powered, enabling you to
connect a wide variety of condenser or dynamic microphones.
WARNING: Do not connect a channel’s microphone input if you
already have something connected to its line input; each channel is
designed to accept only one source or the other.
2: Trim - Provided in monophonic channels only (channels 1 - 6 in the
MIXPAD 12 and channels 1 - 3 in the MIXPAD 9). This knob
determines the input level of the connected mic or line signal.
Continuously adjustable from +4 dB to -50 dB, the input trim is at unity
gain (no boost or cut) when set to the “0” (9 o’clock) position. The input
signal is boosted when the trim is turned to the right of “0” and
attenuated when turned to the left of “0.” For information on how to
properly set this for each channel, see the section on page 23 entitled
“Setting The Correct Gain Structure.”
MIXPAD 12 and channels 1 - 3 in the MIXPAD 9). This knob
determines the input level of the connected mic or line signal.
Continuously adjustable from +4 dB to -50 dB, the input trim is at unity
gain (no boost or cut) when set to the “0” (9 o’clock) position. The input
signal is boosted when the trim is turned to the right of “0” and
attenuated when turned to the left of “0.” For information on how to
properly set this for each channel, see the section on page 23 entitled
“Setting The Correct Gain Structure.”
3: Line inputs - Use these standard 1/4' jacks to connect line-level
sources such as synthesizers, drum machines, CD players, tape decks,
or effects processors to any of the MIXPAD’s mono or stereo channels.
The line input jacks for monophonic channels (channels 1 - 6 in the
MIXPAD 12 and channels 1 - 3 in the MIXPAD 9) are electronically
balanced, so you should use balanced three-conductor cabling and
Tip/Ring/Sleeve (TRS) plugs wherever possible (unbalanced two-
conductor plugs can also be inserted into these inputs, but you’ll get
better signal quality and less outside noise and hum if you use balanced
lines). WARNING: Do not connect a channel’s line input if you already
have something connected to its microphone input; each channel is
Bomann tsg 705.1 user manual. designed to accept only one source or the other.
sources such as synthesizers, drum machines, CD players, tape decks,
or effects processors to any of the MIXPAD’s mono or stereo channels.
The line input jacks for monophonic channels (channels 1 - 6 in the
MIXPAD 12 and channels 1 - 3 in the MIXPAD 9) are electronically
balanced, so you should use balanced three-conductor cabling and
Tip/Ring/Sleeve (TRS) plugs wherever possible (unbalanced two-
conductor plugs can also be inserted into these inputs, but you’ll get
better signal quality and less outside noise and hum if you use balanced
lines). WARNING: Do not connect a channel’s line input if you already
have something connected to its microphone input; each channel is
Bomann tsg 705.1 user manual. designed to accept only one source or the other.
The line input jacks for stereo channels (channels 7 - 12 in the
MIXPAD 12 and channels 4 - 9 in the MIXPAD 9) are unbalanced.
When connecting only one monophonic signal to stereo channels, use
the left (even-numbered) input; the MIXPAD will then treat that channel
as if it is a mono channel, allowing the signal to be panned (using the
MIXPAD 12 and channels 4 - 9 in the MIXPAD 9) are unbalanced.
When connecting only one monophonic signal to stereo channels, use
the left (even-numbered) input; the MIXPAD will then treat that channel
as if it is a mono channel, allowing the signal to be panned (using the
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